The Hidden Complexity: Why Japanese Craftsmanship Must Be Simple (The Ferrari Paradox)

Ferrari Kode57 and the designer, Ken Okuyama standing aside
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The end-of-the-world test: Italy vs. Japan

What would you do if you learned the world was ending tomorrow?

The popular ethnic joke provides the stereotypical answers: An Italian would say, “I would spend the day making love to my lover.” A Japanese person would reply, “I have to finish my work quickly.” Most Japanese people (including me) nod and wince at the accuracy of this contrast: Italy is perceived as easygoing; Japan is viewed as tragically, relentlessly serious.

Funnily enough, despite these sharply contrasting national images, these two nations share a profound commonality: a deep tradition of artisanal craftsmanship. The difference, however, is in how their respective governments treat their artisans (artigiani).

The Ferrari paradox: Punishing craftsmanship in Japan

In Italy, artisans are highly respected and receive preferential governmental treatment. Ferrari, for instance—a global giant that has seen explosive sales growth—was once a small, local factory dependent on that ecosystem. Italian policy recognizes that small, specialized businesses are crucial for developing long-term perspective and niche strategies that mass production cannot replicate.

In contrast, the Japanese government seems intent on driving our artisans into extinction. Japan is the only OECD country where the Real Wage Index has been declining for over two decades. The government habitually blames this stagnation on small businesses, applying immense pressure for consolidation and elimination. It is a heartbreaking paradox: the government punishes the very craft and devotion to detail that makes “Made in Japan” globally respected.

A wooden chair with light-color wood and reddish brown leather. The thick leather works as a part of the structure.

The simplicity of complexity: Ken Okuyama’s 15-Minute design miracle

In the luxury furniture industry, Italy is undeniably the advanced country. Wherever we go for new market development, we find Italian brands have already achieved mainstream recognition. They are our constant, high-level hurdles. Yet, I feel an instant connection with them because of our shared belief in craftsmanship.

When I contemplate the essence of high-end Italian and Japanese design, I always recall the words and, more importantly, the legendary courage of Ken Okuyama (see image above). He is the first and only Japanese person to have designed a Ferrari (as the former Creative Director of Pininfarina).

Here is the famous, nerve-wracking story: When Pininfarina presented their main design concept for a new Ferrari to the Chairman, it was instantly rejected. The Chairman, clearly disappointed, was about to leave the premises by helicopter when the Pininfarina President stopped Okuyama, who was a junior designer at the time, and gave him an impossible command: “The Chairman is being stalled with a sandwich for exactly 15 minutes. Draw a new design, right now!”

Unbeknownst to his team, Okuyama had secretly prepared his own alternative design, believing the official one would fail. He seized the moment, furiously sketching the new concept. In that impossible 15-minute window, he presented his revised idea and won the coveted “Go” sign from the Chairman. The design of a history-making Ferrari (Enzo Ferrari) was born from a combination of foresight, preparedness, and an overwhelming pressure cooker of just 15 minutes.

This epic moment is the ultimate validation of Japanese craftsmanship. It is not about speed alone, but the obsessive, quiet preparation required to perform brilliantly when everything is on the line.

His philosophy, therefore, perfectly articulates our shared, hidden complexity:

“What looks simple is not simple. It’s designed to look simple. When looking at such design up close, you can see how complicated it is.”

This is the ultimate secret of craftsmanship in both nations. Our serious, detail-obsessed Japanese nature, combined with the timeless Italian pursuit of beauty, results in objects that appear effortless. The simplicity is the lie; the complexity of the joinery, the hidden metal, and the 100-year plan is the truth. When you purchase our furniture, you are not buying simplicity; you are buying the highest hidden cost of perfection.


Photo Credit: https://www.motorauthority.com/news/1105671_ferrari-enzo-designer-unveils-limited-edition-kode57-supercar


A corporate logo, the letters of C and H are combined to look like a tree in a circle

Shungo Ijima

He is travelling around the world. His passion is to explain Japan to the world, from the unique viewpoint accumulated through his career: overseas posting, MBA holder, former official of the Ministry of Finance.


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