movies– tag –

Why does Shōgun feel so "authentic" to us Japanese viewers, even though we've never seen a real samurai? I suspect our common image is a sophisticated fiction created by the entertainment industry. While the language barrier of the 17th century was real (we'd need translators!), the architectural detail is authentic, thanks partly to a Belgian historian advisor. This realism captured the era’s aesthetic: the appreciation of shadow and dimness. The implicit message is that true Japanese beauty is revealed only in the dark. Try it: find the perfect shadow for your furniture and discover the hidden elegance of the samurai era.

Why do Japanese people eat KFC and cake on Christmas? I analyze this "culturally blank" phenomenon, tracing the origins of the traditions from aggressive commercial marketing to intense social pressure to avoid being a "loser." I conclude by inviting readers to Hokkaido to trade the chaos of collective anxiety for the silence and true, natural beauty of a White Christmas.

What do India’s Dabba delivery system and Japan’s Bento art tell us about culture? I explore the unseen human greatness of Mumbai’s analog logistics and the miniature artistry of the Japanese lunchbox. This leads to the structural difference of Tiffin tins vs. magewappa (bent wood boxes)—and the surprising fact that the technology that perfected your traditional Bento now perfects our Hokkaido wooden chairs.

If you watched the movie "I Am Legend," I believe you've imagined "What would I do if I were Will Smith?" In fact, I did many times and was shocked every time to find the simple fact that I can't live long by myself. Mind you, I literally mean it and am not talking about a mental or philosophical issue.

Why was I, a former "movie snob," moved by the Science Behind PIXAR? Because CG animation perfectly fuses art and science. For example, PIXAR engineers added "shock absorbers" to virtual springs to naturally animate Merida's curly hair in Brave. Following this logic, we commissioned world-famous architect Sou Fujimoto to design a virtual Hokkaido Rock House (he said yes, probably because he's my high school senior). His design occupies the perfect, non-reproducible space between pure imagination and cold reality—the future of harmonious living.

Why are Japanese men paralyzed by the idea of buying a simple bouquet? I analyze the Richard Gere Effect: the shame of gifting flowers in a "classless" society. The paralysis is compounded by the Labyrinth of Japanese flower etiquette—from avoiding red to banning potted plants. I conclude by confessing that all this intellectual agony leads to a single point: the humble Begonia we planted in front of our factory.

Have you watched the Hollywood movie titled "Arrival" (2016)? Simply put, it's a science fiction depicting the contact with aliens. I know it may sound same old, but it's completely different. The movie depicts the close encounters from the view point of linguistics. What is most interesting to me is the design of the letters the aliens use. It is 3D! The scriptwriter must be a genius.

The Kaiju Metaphor: Godzilla is a non-negotiable force of nature that technology cannot defeat. As an ex-military person, I’m frustrated, but we Japanese simply surrender to the inevitable. Embracing a crack in the wood is a small, daily act of submitting to nature, just as the Japanese submit to Godzilla.

The horror of the unheard story: Good stories disappear due to a lack of good listeners. I am fundamentally a bad listener. We analyze the profound listener's responsibility. Our craftspeople apply this intense skill to the voice of wood: The durability and beauty of our tables are proof they hear the voices others ignore.