God in the Details, Disaster in the Whole: Frank Lloyd Wright’s Imperial Hotel and the Japanese Paradox
Frank Lloyd Wright’s Imperial Hotel survived the Great Kanto Earthquake on its opening day in $1923$ due to his innovative floating structure—a profound, immediate validation of his genius. Seeing the meticulous carvings, I recall the dictum: "God is in the details." This detail-orientation is a Japanese trait (our furniture is "full of God"), but it’s a paradox: some Japanese products, like certain cars, excel in detail yet "can't see the wood for the trees," resulting in a poor overall design. This is the Japanese Paradox: excelling at the micro-level while sometimes faltering at the macro-level. We strive to master both the detail and the clean, coherent form.